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Joy in the Life of Suzanne Valadon

The painter’s rags-to-riches, injured-acrobat-to-feminist-icon life story would seem wildly unrealistic — if it were not true.

Kerry Dooley Young
4 min readSep 23, 2023
Valadon, Suzanne. “The Joy of Life,” 1911. Metropolitan Museum of Art. Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967. Author photo of image in public domain.

Imagine reading this as a plot of a movie.

On Sept. 23, 1865, an unmarried domestic worker gives birth to a daughter and names her Marie-Clémentine. By age six, Marie-Clémentine is running freely about the streets of the famous Parisian bohemian enclave of Monmartre. A curious child, she takes an interest in the work of artists living in the area. But as the daughter of poor woman, Marie-Clémentine must go to work in her early years. She makes funeral wreaths and sells vegetables.

Around age of 15, Marie-Clémentine lands her dream job. She becomes an acrobat in the circus. An injury brings this career to an end, and she focuses more on work as painter’s model.

But even as artists such as Pierre-Auguste Renoir and Henri de Toulouse-Lautrec use her as a muse, she studies their craft. She renames herself Suzanne and in time becomes a successful painter. She’s able to support her family. Her household includes not only her mother and son, but her handsome and much younger husband. Sales of Suzanne’s paintings allow them to live in style.

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Kerry Dooley Young
Kerry Dooley Young

Written by Kerry Dooley Young

D.C.-based journalist who travels for fun. Has eaten in more than 60 countries. Writes about paintings, architecture, museums, food, cities and democracy.

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